Best Professional Camera

Best Professional Camera

A pro-level camera system won’t make a great photographer. It can’t create composition or find the right light. It doesn’t get you “the eye.” But in the hands of a professional, a pro-level setup has emotive powers way beyond that of your smartphone’s camera. For a camera kit, the type of photography plays a large part of what gear is used, so we asked five professional photographers with diverse professional backgrounds: food, adventure, landscape, outdoors and wedding photography, about the type of setups they use, and why. These are the systems that have helped them hone their craft. That, and years and years and years and years of practice.
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Best Professional Camera

Also honored in our Camera of the Year awards as a Camera of Distinction in the Best Overall category for good reason, the Fuji X-T2 is a professional powerhouse with ample capabilities across the board. It's a DSLR-styled mirrorless camera that surpasses the performance limitations of earlier models, such as the X-T1. It offers a host of external controls and unique styling to please any retro-fanatic, and yet, if you're a professional photographer needing the best in weather sealing, the X-T2 has you more than covered there as well.
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Best Professional Camera

For example, your camera might have outstanding low-light performance and allow you to shoot noise-free at high ISOs. Such a camera would be adept at shooting with high shutter speeds for crisp sports shots. But if you were a portrait photographer working in a studio setting, you wouldn’t benefit from it. Instead, you’d want to shoot with a camera that has good color depth that can precisely reproduce colors for lifelike and accurate portraits. As a landscape photographer, you’d want find a camera that can capture the most detail in highlights and shadows – an attribute known as dynamic range. This way, you could capture a shadowy foreground without losing details in a bright sunset.
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Best Professional Camera

Four years ago, Fujifilm earned a Camera of Distinction award with its X-Pro1, an enthusiast-grade mirrorless camera with great image quality and a clever hybrid optical viewfinder. Now, the Fuji X-Pro2 follows in the X-Pro1's footsteps, and it too merits recognition as a Camera of Distinction. Although the duo both look quite similar at first glance, a closer look reveals a redesigned body that now offers intuitive twin-dial operation and comprehensive weather sealing. And the changes are more than just skin deep: The Fuji X-Pro2 is a brand-new camera on the inside too.
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Best Professional Camera

Canon’s EOS 1DX II follows on from the original 1DX and features a 20.2 million pixel sensor. That makes it less than half the resolution of the other camera mentioned in this round-up, the Canon EOS 5DS/R. This camera is designed to be a real workhorse camera, being great for action, sport, nature, weddings, and so on – in short it doesn’t need the huge pixel count because it’s not particularly designed to be a studio camera.

Best Professional Camera

This camera is a great all-round camera for any professional photographer, or it could be used as a backup camera for a D810 or D5. Arguably it’s the most suited for news and current affairs photographers who need to file or share pictures quickly from the scene, too.
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Best Professional Camera

Inside its familiar body design — which we think is a great thing — the Canon 5D Mark IV offers an all-new, higher-resolution, full-frame sensor with significantly improved dynamic range and Dual Pixel CMOS AF. Not only does the camera now offer photographers excellent image quality with better dynamic range and a nice (but not extreme) increase in image resolution, but it also provides fantastic live view autofocus that's great for video. And that's not all, as Canon has used the Mark IV's Dual Pixel AF tech to implement a clever new Dual Pixel RAW feature which lets you make minor adjustments to focus, bokeh and ghosting in post. The image processor is also faster now for a slight bump in burst capabilities, but it's still not a sports camera. However, with the new sensor and processor comes 4K video recording capabilities. Plus the camera now has as a responsive, fully functional touchscreen and built-in Wi-Fi and GPS — finally!
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Best Professional Camera

Sony has made some significant changes from the original A99 for this latest iteration, and the result is a camera that should satisfy a broad range of users. The high-resolution 42.2MP sensor at the camera’s heart is the A99 II’s greatest asset, while 4K video quality is also very good. At the same time the camera maintains much of what we loved about the A99, with excellent handing and the benefits of the SLT system presenting very real advantages over more traditional DSLRs. The arrival of the mirrorless Alpha A9 though takes the shine off a little.
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Hey Chris, Thanks for sharing your thoughts. We’ve been following mirrorless for years (having owned the first Sony NEX camera and later on a Sony a7). There’s certainly a lot of advantages with mirrorless (Sony in particular), but I feel that when it comes to shooting professionally that mirrorless really isn’t the best choice yet. One advantage of DSLRs is how much they just “get out of the way”. Maybe it seems silly, but when shooting a DSLR I never really have to think about the process of using the camera, with all the mirrorless cameras I’ve used there always seems to be something that gets in the way (poor EVF brightness or refresh rate, slower autofocus speed, ergonomics, button placement and how quickly they make adjustments – the list goes on). I can get over the small issues with mirrorless when shooting for fun, but I think the responsibility of professional work requires a different approach.
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Every few years, Nikon releases a brand-new flagship camera. This year, we were treated to the excellent Nikon D5. This professional DSLR delivers the high-end performance demanding photographers have come to expect from Nikon's top-of-the-line DSLRs and brings with it a variety of improvements over its predecessor that helped it earn our Camera of the Year, Best High-End award.
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If you’re in the market for a professional DSLR camera, chances are you’re somewhat familiar with the features to look for. To make things a little easier for you, we’ve compared some of the best professional DSLRs to see which ones offer the most impressive combinations of features.
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Hi Rob, is Canon 6D a good camera for Portrait Photography and Events? I’m just starting out and still thinking what is the best option to purchase, but from what I’ve been reading, this seems to be a very good camera. Thanks, Rita C.

In short, while it looks like a 5D Mark III, the design is refined, well thought-out, and most of all familiar, which to a professional is exactly what he or she wants and needs. They need a tool, and the 5D Mark IV is an exceptional one, for photography as well as for video. The Canon 5D Mark IV doesn't throw any surprises, other than perhaps being surprisingly satisfying. It's a reliable, durable and capable workhorse camera — exactly what a professional needs.
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Another important aspect of a professional DSLR is battery life. Whether it’s catching the moments at the end of a wedding reception or shooting during an extended stay in some remote location, long battery life allows you to create more and with less interruption. Battery life is measured in shots per charge using a testing standard created by the CIPA (Camera & Imaging Products Association). Professional DSLRs typically average about 1,000 shots per charge, with a few outliers on either side.
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It’s got a 20.8 million pixel full-frame sensor, so there’s not much to pick between the 1DX II and the D5. Again, Nikon has another camera in its range which offers a much higher resolution (the D810), but the 20.8 megapixels here are designed for all-round versatility, especially considering the big emphasis Nikon is placing on low light shooting for this camera.
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Hey Darrell, It’s possible it could be your lens, rather than your camera body. I would try testing you camera with a few different lenses first before trying to send it somewhere for repair.
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Another thing that can notably affect the abilities of your camera’s sensor is the presence of an anti-aliasing filter. Anti-aliasing filters help to reduce the effects of moiré, a strange patterning effect that can cause issues when photographing intricate, repeating details that exceed the resolution of your camera. While this can be useful, anti-aliasing filters also reduce the sharpness of you photos.
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As you can see, both sides have their pros and cons, and neither is particularly dominate. Whether you prefer in-body or lens stabilization is up to you. Design: Mobility and Features Cameras come in just about any size and shape that you can imagine. Some camera models have designs focused on reducing overall size and weight, which can reduce the physical controls, features and battery life of your camera. Others go the other way and include seemingly every feature under the sun. Although they produce excellent photographs, the resulting cameras are comparatively large and unwieldy.